"But if 1928 was the end of the silent era, it was also its apex." -- Luc Sante, writing for the Criterion Collection release of 'The Docks of New York'.
Sante cites 'Spies' among others, though not -- and if I may add -- Jean Epstein's 'Finis Terrae', which looks excellent on the recent (OK, 2014) French DVD.
Gerda Maurus, in particular, is absolutely incandescent in "Spione".
Posted by: Michael Dempsey | January 27, 2016 at 09:23 AM
A little surprised Glenn hasn't posted a Jacques Rivette piece, unless it's elsewhere and I missed it? Keeping my fingers crossed.
Last night I projected The Story of Marie and Julien for some friends and I'm glad to say it has some new admirers.
And I'm also drooling over the Rivette boxed set from Arrow that just arrived this week.
Posted by: lazarus | February 03, 2016 at 09:53 PM
Here you go, Laz:
http://flavorwire.com/558864/the-genius-mystery-and-surprising-accessibility-of-jacques-rivette
Posted by: Glenn Kenny | February 04, 2016 at 07:51 PM
Thanks!
Posted by: lazarus | February 05, 2016 at 02:33 PM
Whatever precipitated the NEW YORK TIMES critic-work, keep it coming. I was delighted to find two GK bylines in this week's reviews.
Posted by: JWarthen | February 07, 2016 at 10:23 AM
Agreed - maybe they'd let you review that new "Je t'aime, Je t'aime" Blu-ray?
Posted by: Grant L | February 09, 2016 at 09:15 PM
"But if 1928 was the end of the silent era, it was also its apex." -- Luc Sante, writing for the Criterion Collection release of 'The Docks of New York'.
Sante cites 'Spies' among others, though not -- and if I may add -- Jean Epstein's 'Finis Terrae', which looks excellent on the recent (OK, 2014) French DVD.
Posted by: Oliver_C | February 18, 2016 at 02:53 PM