Kim Novak, Bell, Book And Candle, Richard Quine, 1958
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She's so lovely in that. Made the same year as "Vertigo" Richard Quine and John Van Druten give Kim Novak and Jimmy Stewart the happy ending that Hitchcock wasn't interested in.
Bell, Book and Candle is one of my favorite movies of that era about what it's like to be gay and closeted, whatever its "manifest" content is about. Witchcraft, right?
It's subtext is gay life before "Stonewall." Van Druten (who adapted Isherwood's "Berlin Stories" to the stage as "A Am A Camera") was gay and the "Zodiac Club" is obviously a chic Village gay dive. Jack Lemmon's bongo-playing Warlock using his abilities to turn out streetlamps "for his love life" is clearly "coded-gay." And that's not to mention that French singer-dancer's performance at the club.
@David Ehrenstein: That's what I thought, but did not want to presume without the cultural bona-fides. Thanks for the corroboration, and the line on John Van Druten -- I did not know about him or his connection to Christopher Isherwood, a shame since I'm fairly obsessed with CABARET and Weimar Berlin in general.
"Cabaret" credits Van Druten's "I Am A Camera" as its primary source, rather than Isherwood's "Berlin Stories." The book of the Broadway show is quite different than the screenplay for Bob Fosse's film. But the film is tons gayer than the Broadway show.
She's so lovely in that. Made the same year as "Vertigo" Richard Quine and John Van Druten give Kim Novak and Jimmy Stewart the happy ending that Hitchcock wasn't interested in.
Posted by: David Ehrenstein | May 20, 2012 at 05:03 PM
Bell, Book and Candle is one of my favorite movies of that era about what it's like to be gay and closeted, whatever its "manifest" content is about. Witchcraft, right?
Posted by: Not David Bordwell | May 20, 2012 at 10:51 PM
It's subtext is gay life before "Stonewall." Van Druten (who adapted Isherwood's "Berlin Stories" to the stage as "A Am A Camera") was gay and the "Zodiac Club" is obviously a chic Village gay dive. Jack Lemmon's bongo-playing Warlock using his abilities to turn out streetlamps "for his love life" is clearly "coded-gay." And that's not to mention that French singer-dancer's performance at the club.
Posted by: David Ehrenstein | May 21, 2012 at 08:36 AM
Now, why do I think that's a Cindy Sherman photo?
Posted by: Petey | May 21, 2012 at 09:40 AM
one of my favorites
Posted by: atk | May 21, 2012 at 11:25 AM
@David Ehrenstein: That's what I thought, but did not want to presume without the cultural bona-fides. Thanks for the corroboration, and the line on John Van Druten -- I did not know about him or his connection to Christopher Isherwood, a shame since I'm fairly obsessed with CABARET and Weimar Berlin in general.
Posted by: Not David Bordwell | May 21, 2012 at 11:55 AM
"Cabaret" credits Van Druten's "I Am A Camera" as its primary source, rather than Isherwood's "Berlin Stories." The book of the Broadway show is quite different than the screenplay for Bob Fosse's film. But the film is tons gayer than the Broadway show.
Posted by: David Ehrenstein | May 21, 2012 at 01:45 PM